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--
The Seger File's April 1 Post Begins
here --
DVD
Nixed, Cobo Shows
Continue
Seger
rocked the house at Cobo again last
night, finishing the second show with
an especially energetic version of "Let
It Rock," a song he recently brought
out of retirement. It was the 32nd
straight Cobo performance in the last
16 days with no end in sight.
"We
may do another 50 to 100 shows here at
Cobo," Seger recently told the DetNews.
"As long as folks keep coming, we'll be
here." Seger and the band have been
doing two shows nightly at Cobo, at 8
and 10, since mid-March.
"We're
the house band!" Seger laughed. "I
told the Punch we'll be here till we
blow the roof off. He thought I was
joking. But I want to bring the
house down before we leave. I mean
literally bring it down. I'm
starting to see some structural
damage, but we've still got a ways
to go."
Susan
Whitall, The Detroit News, April 1.
"Despite
court order, Seger refuses to leave
Cobo."
Tickets
for the Cobo shows, which have not been
widely publicized, are available only
at the door and online,
and are not being sold through
Ticketmaster.
The
first show last night was marred by a
delay when a roadie slipped and was
temporarily pinned under Alto Reed's
saxophone during the brief
intermission. As a result, the break,
which is supposed to be eight minutes
long, was closer to eight and a half
minutes. The 30-second hiatus drained
much of the energy from the second half
of the show.
"When
you're ready to rock, thirty seconds
can be a long time to wait," wrote a
reviewer from the Chicago Tribune. "You
have to do something to fill the
downtime, so you start texting or
checking email, and the momentum is
totally lost. I felt bad for the
crowd."
The
reviewer, who noted that he has never
enjoyed a concert in his life, later
committed suicide.
Another
bit of bad news emerged in Seger's
"Way
Off The
Record"
interview with Uncle Joe Benson, which
aired April 1. Near the end of the
program, Seger revealed that the
hoped-for live
DVD
is now dead in the water.
"We
really wanted to capture the energy of
the show, so we've had a 8-man camera
crew working it every night. Then I
discovered these guys shot everything
on 24p HD video," Seger told
Uncle Joe. "We thought they were
shooting film."
Movies
such as Superman Returns and
Apocalypto have been shot in 24p
video recently. Purists say the format
comes close but doesn't quite offer the
nuanced richness of film. "We just
couldn't get it to look big enough,"
Seger said, "so we decided to bag
it."
A
similar mix-up sunk Seger's ill-fated
Blue Ridge album in the late 1990s. "We
recorded Blue Ridge at a studio
with 24-bit digital. At the time, there
were only a handful of places that
could do 24-bit digi, and that's what
we thought we were getting," Seger
said.
"We
laid down 23 songs over a four-month
period. Overdubs, rhythm tracks,
everything," Seger said. "I don't like
to micromanage things, so I never asked
to hear playback. Big
mistake."
Only
when the recording was complete did
Seger discover that the entire album
had been recorded on a wax cylinder.
"It
was really just an old Dictaphone,"
Seger said. "I was stunned."

- Sound
engineers at Woodland Dictaphone
Studios record Seger's Blue Ridge
album.
"At
first, the studio claimed they were
just doing their bit to reduce global
warming," Seger explained. "You know,
computer chips are energy-intensive,
carbon-based products, and all that,
while wax is more earth-friendly. But
Punch sued their pants off. What it
came down to is the sound engineer
flipped the wrong switch."
When
the mistake was discovered Seger
immediately resolved to re-record the
songs on the best equipment available,
so that fans would be able to enjoy
them.
"Fortunately,
I changed my mind. Because if I had
released Blue Ridge, I might not have
recorded Face the Promise. And I
wouldn't have been out of the spotlight
for so long, so coming back might not
seemed like such a big deal. What does
Guildenstern say in Rosencrantz and
Guildenstern are Dead? 'There is an
art to the building up of
suspense.'"
As a
side-note, the wax cylinder Dictaphone
was seized as evidence in the lawsuit
and is now being used by Mike Boila to
record Seger material for the Library
of Congress.
Meanwhile,
the Cobo shows go on. "I'm thinking
we'll do Cobo till they kick us out,"
Seger said. "It's fun being back where
it started."
"When
we leave Cobo," Seger said, "I'm
planning to play the rest of my career
in reverse. We'll tour with KISS, then
hit the Rock and Roll Farm and Uncle
Sams and Wampler's Lake Pavilion and
the Huron Bowl. Then some week-long
gigs at the Roseland Inn. I'm gonna try
to get Punch to reopen some Hideout
Clubs. Then we'll finish with some frat
parties and the junior prom at Ann
Arbor Pioneer High School. It'll be
great. But only if Don Brewer is
available."

Members
of the tour are presented the Silver
Innovation Award from
Kohler
Plumbing
for improvements at Cobo Hall. The tour
managment team has redesigned urinals
there, equipping them with cupholders.
Now concert-goers can set down their
$7.50, 24-ounce plastic beer cups while
attending to business during the
eight-minute intermission.
April
1, 2007
Live
Bullet Class Action Suit Near
Settlement
Terms
of a proposed settlement in the Live
Bullet Class Action Suit were announced
April 1 in a rare Sunday hearing in
Oakland
County
Court.
The
class action, brought by the firm
Glantz
&
Bignall,
seeks monetary damages from Edward
Andrews Jr, Robert C. Seger and Hideout
Productions, alleging a Denial of
Service (DOS) conspiracy against
purchasers of the album Live
Bullet.
"It's
really a very simple case," a spokesman
for the plaintiff said Sunday. "More
than a million people purchased copies
of Mr. Seger's Live Bullet recording.
Until recently, they were able to
receive full enjoyment from their
purchase. But Mr. Seger's current tour
has made it impossible for many of them
to receive the enjoyment that they
purchased, to which they every
reasonable expectation."
Attorneys
for Glantz & Bignall agreed to a
defense stipulation that Live Bullet
remains one of the best live
collections ever issued and a
"must-have" Seger album. They argued,
however, that the recent live show
makes Live Bullet seem tame by
comparison.
"As
good as it is, Live Bullet is no longer
satisfactory to those who have seen Mr.
Seger on his curent tour," they wrote
in a brief filed with the
court.
In a
dramatic closing statement, attorney
Richard
Wayne
Penniman
strode across the courtroom waving a
copy of Live Bullet high above his
head. "Your honor, I listened to this
album again last night and instead of
getting high and having a good time, I
asked myself: Where's Chatfield?
Where's Brewer? If it please the court,
where is Moose? And where, your honor,
are the girl singers on Live Bullet???
Nowhere! This is an outrage.
Whooooo."
"Your
honor," he continued, "this album
purports to take us to Nutbush. But I
ask the court: Where is John
Rutherford, Mark Byerly, Keith Kaminski
and Bob Jensen? How can we be expected
to keep an eye out for the po-lice when
the horn section is
missing?!?"
At
that point, Penniman was seated on a
throne and carried across the court by
a bevy of paralegals and interns while
singing "Keep an eye for the horn
section! Keep an eye out for the horn
section!" When order was finally
restored, he asked the judge to order
restitution.
"I
remind the court that we are here
because we want the real thing. And
speaking for Live Bullet vinyl,
cassette, CD and eight-track owners
everywhere, I respectfully submit that
this is no longer the real
thing."
In a
preliminary rulling, Judge Charles
Edward Anderson Berry ordered Mr. Seger
to "reach on down to his every bit of
Detroit Michigan soul" and release a
concert DVD of his latest tour as soon
as possible.
Hopefully,
there will be no appeal.
April
1, 2007
Write
This Bridge
A
reminder -- April 1 is the last day for
entries in Seger's "Write This Bridge"
contest. If you're planning on sending
in an entry, make sure your letter is
postmarked today. No emails or faxes,
Punch says.
The
"Write
This
Bridge"
contest began at the end of the last
tour, when Seger told Reuters that he
was still working on an unfinished
track called "Outland" -- a song he
began in 1997. Seger said the song is
desperately in need of a bridge
section.
"Worst
case scenario," he says, "I'm gonna
send it to somebody (like the
Eagles' Don) Henley or somebody --
'Write me a damn bridge, will you?!
I've been working on this for 10
years!"' Reuters,
April 1, 2007. "Seger seeks a
bridge."
A few
days later, on American
Idol,
Punch and Seger announced that they
were seeking entries from the public at
large, and that the winner's name would
almost certainly be listed on the next
CD along with the photography credit,
unless there was some kind of snafu.
"I
thought if I got out where the
factories ended and the prairies
began," Seger said, "I'd be able to
write this thing myself. But it hasn't
happened. I've gone down to the depth
of my soul, but all I hear is the
Burlington Northern rumbling west.
Maybe somebody else can say what I
mean."
Contest
rules are available here.
Separated
At Birth?
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Andrews
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Cobo
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Ever
wonder why Seger has such an affinity
for Cobo Hall? Could it be that Punch
Andrews and Albert
Cobo
are secretly the same person? Have you
ever seen them together?
The
Seger File's April 1 Post. More to
come. For a collection of previous
lies, spoofs and falsehoods from past
April 1 posts, click here
and here,
but not here.
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"And
To Myself Be True!!"
They burned it
down. They ripped it open. They took us to
Nutbush and blew the roof off and kept going
from there, with Bob in charge every fantastic
step of the way. Now the tour's over, and as
long as I live, the word "Cobo" is going to mean
pleasure.
All you other
great shows -- all you magical Seger sets in Ann
Arbor bars, that night with Dylan when the sun
was going down, the Michigan Jam, Springsteen,
Steve Earle, the Continental Club at South by
Southwest - all you unforgetable concerts on my
personal Top 10 list, you all have to move down
a notch. There's a new Number One. Called
Cobo.
Of all the
wonderful dumb things I've ever written, one of
the dumbest lines was my claim, in reviewing the
Cleveland concert, that it doesn't really matter
where you hear Seger. Once the lights go down,
the theory goes, it's just you and Bob and
15,000 screaming fans. An arena full of Seger
fans is an arena full of Seger fans, or so I
wrote. Well, forget that. Cobo isn't an arena.
Cobo is more like some great big high school gym
than an arena. The place just feels like rock
and roll. Which is to say it feels like Seger.

- Romain
Blanquart/Free Press Photo
Face the
Promise. Real Mean Bottle. Good for Me.
Katmandu. Wreck This Heart. Rock and Roll Never
Forgets -- just try to pick a highlight.
Impossible. The entire set list was the
hightlight.
To be honest,
I know some folks who think last night
wasn't the hightlight of the tour --
people who've been to more shows than me, who
think maybe the first Cobo show was just a
little better, or maybe Toronto, or
Vegas, or that moment in Chicago...well, maybe
when it gets that good, it all gets mixed up and
all that really matters is that you're screaming
your lungs out and you just don't want it to
ever ever end. And that's what it was like for
me.
And now it's
The Day After. People who came to Detroit from
Montreal or Boston or Calgary or Minnesota or
Grand Rapids or Kalamazoo or, like me, from
Oregon, are back on the road. It's an airplane
day for me. I'm 40,000 feet in the air, but I
was flying ten times higher yesterday from Roll
Me Away to Rock and Roll Never Forgets. I'll
post when we land. Till then, some random
thoughts.
1. Is our
Seger thirst satiated? Of course not. We want
the DVD! I counted two cameras on jibs, plus two
cameramen down front, two or three prowling the
stage and two more on a platform in the back.
2. There are
two sides to a Seger stage. There's the
Chatfield side and the Alto side. You can't go
wrong either way. Last night my seats were on
the Chatfield side, and man did he rip. Plus the
Chatfield side is also the Murphy/Payton/Creamer
side, and what a kick it is to watch how much
they add.
3. Is there
some sort of niceness gene you have to have to
play with Seger? Or does it just rub off from
being around him? I'm just blown away again by
how friendly and big-hearted everyone is. A
huge, huge thank you to John Rutherford of the
Motor
City Horns
and Jim
"Moose" Brown
for going out of their way to get me into the
after party. And to everyone there, especially
those close to Seger (not named here, but you
know who you are), thank you for your courtesy
and friendliness. It absolutely made my
day.
4. Maybe
there's a lesson there. Maybe if you have a big
heart, you attract big-hearted people around
you.
5. Brewer
Stalking Tally: 0. In Cleveland I ran into Don
Brewer twice (okay, the second time I was
hanging out hoping to see him, so I could
apologize for my brain-freeze at the first
meeting). In Portland, I think Brewer was
stalking me. He just happened to be
walking past the Starbucks near my office at
coffee-break time. Pretty suspicious, I'd say,
especially considering he actually remembered me
from Cleveland. (Tip: If you want someone to
remember you, make a complete fool of yourself.
It'll form a lasting impression.) Then the next
day, enroute to Powell's City of Books in
downtown Portland, there he was again. I guess
our synchronicity is over now, though, because
in Detroit I saw him not at all. Except of
course, on stage, where he propelled the Silver
Bullet Band and the entire arena into the
stratosphere.
6. Speaking of
which...why am I always complaining that Seger
doesn't get nearly the due he deserves as a
lyricist, as an artist, all of which is true,
obviously -- but why don't I also complain that
the freakin' amazing Silver Bullet Band ought to
be known as the Greatest Rock and Roll Steam
Roller slash Blast Furnace slash Pleasure
Machine known to man. Huh? How come I don't
complain more about that??? Well, from now on I
will. Because they are.

- Brandy
Baker/The Detroit News
7. But what
about the show, you ask. The setlist? What did
he say between songs? Oh god, all I can say is
best, best, best, best, best. Ever. Screaming
for more, smiling till your face hurts, dancing
in the aisles best.
8. He didn't
play "Night Moves." He dedicated "Still the
Same" to all of us. He played "Good for Me" for
the first time on the tour and dedicated it to
his wife. I was hoping for a third
encore.
9. Alto has
zero percent body fat. My estimate.
10. Keep an
eye out for the po-lice.
11. The horn
section on Nutbush. The stops. The starts.
Seger. The power. The fist pumping the band. And
Seger, Seger, Seger. This is perfection. This is
why we're screaming. Organic and raw. Please
never let it end.
12. My wife is
the one who insisted I go to this show. She was
right. And to all the Seger File readers who
stopped by to say hello, and Boston Sammy, and
Mike from GR and Casey from Boston, and Dawn,
and the guy whose brother-in-law knows Chris and
who was at the first Cobo show, and
DetroitRocker and Little Queenie and smileeseger
and Stephanie and Sandy and Freespirit and all
of the great Segernet folks (including Eric on
the phone), and especially Andrew and Shellie,
all can say is wow. It was so great seeing you
all.

13. Speaking
of the other Seger web sites, I introduced
myself to Punch at the after-party. His face lit
up and he said, "Are you Walsh?" (Kevin Walsh
runs segerbob.com and was supposed to be there,
but his flight from Boston was canceled.)
Probably I should have said yes, because when I
confessed to not being Walsh, Punch seemed to
lose interest. Five thousand page-views a day,
and I'm still the off-brand site.
14. To borrow
a line from Warren Zevon, about all of us at
Cobo: We were in the house when the house burned
down.
15. And
lastly, (but only for now, because I keep
thinking of more and will have to add to this
later), try this idea on. Take a guy, in
America, in 2007. He stays true to what he
believes in and to who he is. He works his butt
off, year after year after year. Surrounds
himself with great people. Never quits, doesn't
compromise. And because he's true to himself, he
ends up happy. He wins the biggest all-time
prize there is and makes all the people around
him happy too. In America. In 2007.
As a movie
pitch, that storyline would get you kicked out
of Hollywood in less than 30 seconds.
Unbelievable, they'd say. But it's absolutely
real, and it's one hundred percent Seger. I had
my eyes closed when the lyric came 'round,
because sometimes when Seger sings, you just
have to close your eyes and disappear into the
music, but when the line in Katmandu hit me, I
heard it with all my body, heard it into my soul
and I just wanted to say yes, and thank you, and
thank you some more. For absolutely everything.
And to yourself be true.
March 18,
2007

Summer
Shows Or No Summer Shows?
That is the
question. Reuters/Billboard is circulating a
widely reprinted piece that begins, "Don't sit
around waiting for those rumored Bob Seger
summer tour dates, because they're not going to
happen, according to the Ramblin' Gamblin' Man
himself."
The article is
dated March 20. But the quotes that follow, in
which Seger says he'll take the summer off and
reassess in October, are all two weeks old. They
first appeared in a UPI story on March 6.
I don't trust
the Reuters/Billboard piece. I think it's old
information and that the jury's still out on the
possibility of summer shows. Seger told the
Detroit papers he'd decide in three weeks, so
hopefully we'll know soon. He called it a 50-50
chance.
I
was thrilled, however, to read this in the
Reuters piece:
Top
of his agenda is mastering ProTools, which
he's installed in the studio he keeps in
another Detroit suburb. And he'll continue
songwriting, hopefully to avoid another
10-year gap that preceded the "Face the
Promise" album.
"I've been
messing a little bit ... in the dressing
room," Seger notes, "'cause I've got a lot of
time between soundcheck and the show. There's
two songs I really like that are left over
from the last bunch, and I'm trying to
re-write them."
Among those
is a track called "Outland" which he's been
working on since 1997 and, according to
Seger, is desperately in need of a bridge
section. "Worst case scenario," he says, "I'm
gonna send it to somebody (like the Eagles'
Don) Henley or somebody -- 'Write me a damn
bridge, will you?! I've been working on this
for 10 years!"'
"Outland" is
one of best unreleased Seger tracks I've heard.
Ears Two would probably say it's Bob's best.
Here's how E2 described it in summer 2005 after
one of our Vault visits: "Seems to build on 'No
Man's Land,' but with more energy." (High
praise, considering that "No Man's Land" is E2's
favorite Seger song.) "Should be Bob's next
single."
That's what I
love about E2: he knows how to call 'em. But
wait -- the Reuters piece says there are
two tracks Seger's working on. Hey Mr.
Reuters Man -- I don't suppose you could bother
including the name of that other special track?
Hmmm?
March 20,
2007
A Summer Canadian Tour?
Seger talks
more about potential summer dates in Thursday's
Free Press story by Brian McCollum:
"There
were a bunch of places we missed. So I
floated the idea awhile back: What about a
little swing through Canada?
..."We
might build something around that. The
Milwaukee Summerfest, Minnesota -- probably
Minneapolis.
..."I've
got to get some distance from this. Six dates
(this summer) -- fine, that's no skin off
anybody's back. I've got to decide in the
next three weeks."
Seger also
said it was his idea to play Cobo again. Read
the whole article here.
Meanwhile,
Seger told Doug Pullen of the Flint Journal that
Saturday night could be his last show --
50-50:
"I
think I'll feel some emotion Saturday night,
for sure," Seger conceded, "but at this point
I'm still in worker bee mode. We've got to
clean up a few songs, like 'Nutbush' and some
other stuff that may or may not work. It all
depends on how quickly it goes
together."
Read the whole
Flint Journal piece here.
March 16,
2007
More Shows This Summer?
Seger says,
"maybe" in a preview piece by Susan Whitall in
the DetNews. Check it here.
And an article by John Sinkevics quotes Seger as
saying he couldn't be more pleased with the
tour. Seger also says he wanted to end the tour
in Las Vegas...but was convinced to come back
one more time. Check it here.
March 13,
2007
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See You At
Cobo!
If
you're inside Cobo Hall next Saturday
night, you'll definitely see Don Brewer
and the rest of the band.
And
if you happen to see me wearing my
Seger File shirt, come over and say hi.
(Pre-show party? Yeah, if we can find a
place.)
(Click
on the photo for the rest of the
Portland show shots at
flickr.)
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Thirty
Years Ago In California

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